IMPORTANT
QUESTIONS IN THE GIVER
Essay
Questions
1.
The ending of the giver has been interpreted in a few different
ways. Choose one possible interpretation of the ending and argue its validity,
using clues from the text to explain your conclusions.
The two major interpretations of The Giver’s ending are that (1) Jonas and Gabriel have truly escaped the physical boundaries of their society and discovered a real village in Elsewhere, and (2) Jonas’s vision of the village is only a hallucination that he experiences as he and Gabriel freeze to death in the snow in the middle of nowhere. Both arguments can be solidly supported by references in the text.
In order to argue that the two children freeze to death in the snow and that their vision of the village is only an illusion, we can rely on the uncanny similarity between the landscape Jonas sees—or thinks he sees—and the memories the Giver has transmitted to him in the past. It is extremely unlikely that Jonas would come upon a hill that looks just like the hill from his memory of the ride on the sled, and then come upon an identical sled waiting to take him to the bottom of the hill. Given that for the last leg of their journey, Jonas has been relying on memories of sunshine to keep himself and Gabriel alive and happy, it would make sense that Jonas relies on the most pleasant memories he has when the cold and exhaustion grow too much for them. When Jonas admits that the music he thinks he hears behind him might be “only an echo,” he could be implying that the vision before him is an echo too—of his own memory. Another point to consider is that it seems unlikely that Jonas could travel on a bicycle further than search planes could fly and that communities that have not gone over to Sameness could be found so (relatively) close to Jonas’s own community.
To argue that Jonas and Gabriel do survive and reach the village safely to begin a new life, we can explain that although the events of the last pages mirror events from Jonas’s memories, we learn toward the end of the book that Jonas is losing all of the memories that were transmitted to him by the Giver. The last memory that brings him joy is not a memory of sunshine, but a “real” memory of people Jonas has met in his life—his friends and family. This suggests that the things Jonas sees in the world around him are really there, since he has lost the memories. The music that he hears is real, because music was never a part of his memory. The serendipitous appearance of the sled is strange, but not inconsistent with the atmosphere of magic and mysticism that pervades Jonas’s new life and his relationship with the Giver.
2.
Among other things, the community in the giver eliminates most traditional distinctions
between men and women, but occasionally stereotypes and customs still exist to
distinguish male children from female children and men from women. What rules
remain in place in the community that differentiate
men from women? Why do you think these specific rules were retained while
others were not?
Even though Lowry seems to take pains to eliminate gender stereotypes in the society in The Giver, supporting the idea that everyone in the society is as similar to one another as possible, ideas about the differences between men and women still linger. Of course, it makes sense that girls are given “special undergarments” at age eleven, but it makes less sense that girls wear braids with hair ribbons until age nine. The hair ribbons are the only decorative element mentioned in the entire novel. Perhaps they are just used to distinguish girls from boys, ignoring the original, aesthetic purpose of hair ribbons. Another vestige of gender roles is the structure of the family units: though the roles of “mother” and “father” are not clearly defined, each family consists of a father, mother, sister, and brother. Since no one has sex, and the parents do not produce children together, the persistence of heterosexual couples is either a meaningless echo of the traditional nuclear family or an effort to provide both male and female children with appropriate role models. In any case, the community seems to appropriate some of the gender distinctions of pre-Sameness society, but uses them for entirely different purposes.
The Giver, however, seems to have more nostalgic, traditional notions about gender differences, or at least about femininity. His description of Rosemary emphasizes traditionally feminine qualities: she is beautiful, delicate, and sensitive. He has trouble giving her memories of physical pain and suffering, although he gives them much more easily to Jonas. Jonas, too, associates femininity with gentleness and fragility, even though his father is clearly more gentle and nurturing than his mother. When the Giver tells him about Rosemary, Jonas thinks that he would never want his “favorite female” Fiona to suffer as he has suffered, enduring the difficult memories. Perhaps the nostalgia that the Giver and Jonas feel toward the pre-Sameness period extends to the pre-Sameness traditions of gender differences.
1. One of the more controversial topics that Lowry touches upon
in the giver is euthanasia, or the practice
of ending someone’s life to ease their suffering. Jonas’s community practices
euthanasia on very old citizens as well as upon unhealthy newchildren.
Jonas’s horror at this practice motivates him to take drastic measures to
reform the society, and yet many people in our own society consider euthanasia
to be a compassionate practice and one that should be available to all
citizens. Discuss the attitude toward euthanasia as expressed in the giver. Does the novel condemn, promote, or
conditionally accept the practice?
2. It is difficult for us to imagine a world without color,
personal freedoms, and love, but in the giver,
the society relinquishes these things in order to make room for total peace and
safety. Consider the pleasures and experiences that our own society discourages
in order to preserve the public good (certain recreational drugs, for example.)
In the context of the lessons Jonas learns in the
giver, explain why we should or should not sacrifice an orderly
community in order to allow individuals more spiritually or sensually
satisfying experiences. Where do you think the line between public safety and
personal freedom should be drawn?
3. Read at least one other novel depicting a dystopian
society. What techniques does this society use to maintain order? How does its
structure differ from the community’s in the giver?
4. Consider the community’s repression of sexuality in the giver. What function does it serve in helping
the society run smoothly? What dangers does sexuality pose to a structured
community, and how are those dangers different from the dangers posed by love?
If you have read brave new world by Aldous Huxley, compare that society’s use of sexuality and
promiscuity to keep people from accessing deeper feelings to the giver’s restriction of sexuality for
essentially the same ends.
5. Despite the community’s emphasis on precise language, language
is often used as a tool for social control in the
giver. Choose two or three words used in the society (examples are
release, newchild, Stirrings) that distort or conceal
the meaning of the words we use now in order to promote the rules and
conventions of the community, and describe how their use affects the behavior
and attitudes of the people in the community.
6. the giver is one of the most frequently censored
books in
7. Analyze the giver’s
relationship to the social questions that were most frequently discussed in the
early 1990s. To what degree is
the giver a cautionary tale? Who is
the object of its warning?